Discussion:
OT: Overrated Luthier
(too old to reply)
ITMX925
2004-07-09 02:57:48 UTC
Permalink
Politics is boring. I have heard so many wealthy, middle and low income
Republicans say they won't vote for Bush - and now that Kerry has announced an
ambulance chaser as a running mate, Bush might be getting back the vote.

As far as the Democrats are concerned, I like Will Rodgers' comment about "not
being a member of any organized political party - I'm a Democrat."

So I think it's time to mix it up.

Remember, this question can only be answered as an opinion.
And of course, some people will be looking down their nose at certain
responses. Happens all the time.
It's like driving a Maserati and actually feel that someone driving a Taurus
could ever have the right of way.

Name the most overrated American luthier?

This will cause some hairs to raise. But I ask this only because the price of
some of the 'name' guitars are going out of sight and there are some brilliant
young luthiers whose work deserves consideration.

As far as overrated American luthiers, I have two for the list.

Jose Oribe and Thomas Humphrey.

Let the games begin. Please keep the death threats to a minimum. My health is
not that great and I am prone to fits of despair. Perhaps I should have been an
Edwardian age pianist instead of an antique lutenist.

Best regards,

'JohnDowland'
John Wasak
2004-07-09 03:33:08 UTC
Permalink
ITMX925 <***@aol.com> wrote in message news:***@mb-m18.aol.com...
[snip, snipe...]
Post by ITMX925
Name the most overrated American luthier?
Luthier X.

Well, okay, he might be Mexican, but that's in the America's, right?


jw
Post by ITMX925
This will cause some hairs to raise. But I ask this only because the price of
some of the 'name' guitars are going out of sight and there are some brilliant
young luthiers whose work deserves consideration.
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
Let the games begin. Please keep the death threats to a minimum. My health is
not that great and I am prone to fits of despair. Perhaps I should have been an
Edwardian age pianist instead of an antique lutenist.
Best regards,
'JohnDowland'
Scott Daughtrey
2004-07-09 04:08:45 UTC
Permalink
Post by ITMX925
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
I couldn't disagree more. Worth every penny and, in the case of Humphrey, far
too unique to be rated and compared to the endless line of luthiers building
replicas of others' successful designs.

How is Humphrey over-rated? Who was building and selling a comparable
model/style before Humphrey started marketing his guitars?

Scott
ITMX925
2004-07-10 05:11:32 UTC
Permalink
Dear Scott,

Though this question did not specifically request a need for disagreement or
discussion, the two major builders in the United States building an elevated
fingerboard are Humphrey and Byers.

Byers instruments are much better.

The elevated fingerboard is not a new thing. I have a seven stringed Russian
instrument with a elevated fingerboard made before Humphrey was born.

Further, there were instruments made in Europe during the mid to late 19th
century with such fingerboards.

Regards,

'JohnDowland'
Angelo Gilardino
2004-07-10 05:41:48 UTC
Permalink
Post by ITMX925
Dear Scott,
Though this question did not specifically request a need for disagreement or
discussion, the two major builders in the United States building an elevated
fingerboard are Humphrey and Byers.
Byers instruments are much better.
The elevated fingerboard is not a new thing. I have a seven stringed Russian
instrument with a elevated fingerboard made before Humphrey was born.
Further, there were instruments made in Europe during the mid to late 19th
century with such fingerboards.
Regards,
'JohnDowland'
Luigi Mozzani designed such a guitar during the 1920ies.

AG
Scott Daughtrey
2004-07-10 11:23:38 UTC
Permalink
Post by ITMX925
Dear Scott,
Though this question did not specifically request a need for disagreement or
discussion, the two major builders in the United States building an elevated
fingerboard are Humphrey and Byers.
Yes, I know. I don't recall suggesting otherwise.
Post by ITMX925
Byers instruments are much better.
Well this is a subjective opinion clearly not shared by all.
Post by ITMX925
The elevated fingerboard is not a new thing. I have a seven stringed Russian
instrument with a elevated fingerboard made before Humphrey was born.
Further, there were instruments made in Europe during the mid to late 19th
century with such fingerboards.
Possibly, but you yourself, by suggesting the Byer's is superior, are also
saying similiar design does not insinuate relative quality.

I have not played a Byer's. From the pics on his site, though, it certainly
appears quite different in design. The first and obvious difference is the
flat top of the Byer's, substantially different than the arched Humphrey top
which seems to be under a great deal more pressure, similiar to the arch used
in other stringed instruments like a viola or cello.

Scott
CV
2004-07-09 04:22:18 UTC
Permalink
Id actually be more interested in the most Underrated Luthier.

Chip
Steven Bornfeld
2004-07-09 13:37:00 UTC
Permalink
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth, and I hope I
get the opportunity.

Steve
Richard F. Sayage
2004-07-09 21:01:08 UTC
Permalink
Post by Steven Bornfeld
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth, and I hope I
get the opportunity.
Steve
Steve, have you gotten a guitar from Darren yet?
Now I can sing the praises of both David S and Darren H. Though, I'm
not so certain that David is under-rated at this point. :-)
Mr. Carruth I have no experience with...baby needs new shoes afore I can
play "another" guitar. Shoot, my wife finally noticed the old Hauser (hans)
I picked up. She said, "Where the f*ck did that come from"? Trust me, she
don't curse normally, if ever. I had to assure her I would get rid of it.
So...I ain't gettin' a new guitar anytime soon, as much as I'd like to try
one from Alan C. Dang, them women is tough!!!

Rich
--
Richard F. Sayage
www.savageclassical.com

Remove ZEROSPAM to reply...thx

http://www.orphee.com/rmcg/album-rmcg/album.html
http://www.savageclassical.com/rmcg/album-rmcg/album.html
Edward Bridge
2004-07-09 21:38:17 UTC
Permalink
"Richard F. Sayage" <***@ZEROSPAMoptonline.net> wrote in message . She
said, "Where the f*ck did that come from"?

Next time just tell her your uncle ed from crooklyn ask you to "hold on to
it" until dat fed thing done clears up :>)

Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Richard F. Sayage
2004-07-09 22:44:05 UTC
Permalink
She
Post by Richard F. Sayage
said, "Where the f*ck did that come from"?
Next time just tell her your uncle ed from crooklyn ask you to "hold on to
it" until dat fed thing done clears up :>)
Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Yeah, that's the ticket, Ed...put her right at ease that will. :-) I want
one of your guitars, btw...the Randy A, the more expensive one....I just
can't afford it....I can't afford it....sounds like Eddie Murphy..

Peace...have a good weekend bro
Rich
--
Richard F. Sayage
www.savageclassical.com

Remove ZEROSPAM to reply...thx

http://www.orphee.com/rmcg/album-rmcg/album.html
http://www.savageclassical.com/rmcg/album-rmcg/album.html
David Schramm
2004-07-09 22:54:01 UTC
Permalink
I had a Randy Angela in the mid to late 1980's. Nice instrument. Lorimer was
promoting them at the time.
--
David Schramm
Clovis, CA
http://schrammguitars.com
http://onlineapprentice.com
Richard F. Sayage
2004-07-09 22:59:47 UTC
Permalink
Post by David Schramm
I had a Randy Angela in the mid to late 1980's. Nice instrument. Lorimer was
promoting them at the time.
--
David Schramm
Clovis, CA
http://schrammguitars.com
Hi David,

Do you still have it or is that one that you wish you had back? :-)

Rich
Post by David Schramm
http://onlineapprentice.com
richard c. spross
2004-07-10 01:09:23 UTC
Permalink
Post by Richard F. Sayage
Post by David Schramm
I had a Randy Angela in the mid to late 1980's. Nice instrument. Lorimer
was
Post by David Schramm
promoting them at the time.
--
David Schramm
Clovis, CA
http://schrammguitars.com
Hi David,
Do you still have it or is that one that you wish you had back? :-)
Rich
Post by David Schramm
http://onlineapprentice.com
Hey Rich,

I thought the Angella was one of the one's on summer sale. Watcha
mean ya can't afford it. I already gave it a rave review.
Look tell the sweetie you'll fly out here to the bay area and buy
a concert grand for her from the San Jose State University Yamaha
sale. See that'll even things.

Oh maybe that'll be rice and beans for the rest of the year........UMM
on the other hand......

Richard
Edward Bridge
2004-07-10 04:01:22 UTC
Permalink
I thought the Angella was one of the one's on summer sale. --
One person wants to buy it , another wants to trade a el classcial
M.Velazquez 1964 and I offer to trade it for a 2001 S. Abrue all this in 48
hr's and the truth is I want to keep it.

what to do ,what to do.

Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
David Schramm
2004-07-10 02:43:41 UTC
Permalink
Post by Richard F. Sayage
Do you still have it or is that one that you wish you had back? :-)
It wasn't one of his better ones. I think I had it for a month.
--
David Schramm
Clovis, CA
http://schrammguitars.com
http://onlineapprentice.com
Robert Crim
2004-07-09 23:02:12 UTC
Permalink
On Fri, 09 Jul 2004 21:01:08 GMT, "Richard F. Sayage"
Post by Richard F. Sayage
Post by Steven Bornfeld
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth, and I hope I
get the opportunity.
Steve
Steve, have you gotten a guitar from Darren yet?
Now I can sing the praises of both David S and Darren H. Though, I'm
not so certain that David is under-rated at this point. :-)
Mr. Carruth I have no experience with...baby needs new shoes afore I can
play "another" guitar. Shoot, my wife finally noticed the old Hauser (hans)
I picked up. She said, "Where the f*ck did that come from"? Trust me, she
don't curse normally, if ever. I had to assure her I would get rid of it.
So...I ain't gettin' a new guitar anytime soon, as much as I'd like to try
one from Alan C. Dang, them women is tough!!!
Rich
I just thought I'd hop in here to sing the praises of one Darren
Hippner, based not on the fine repair work he has done for me, which
has always been, excellent, but for his original lutheran in his own
right.

Some time ago I sent him a 1959 Marcelino Lopez Nieto with lots of top
cracks, finish problems and a busted up headstock to repair/restore.
He did a wonderful job. He also was sufficiently impressed with the
sound of the instrument that he took detailed measurements of all the
parts of the guitar, inside and out, and said he wanted to make it
one of his series of "noteable" guitars from the past.

Intrigued, I struck up a deal where I would trade him my trusty old
Kohno (he liked that one when he did some fret work on it) and some $$
for a replica of that Lopez. He delivered a really great
guitar.......I mean really, really great. It plays like butter and
sounds like it has an amp inside. It has that "Spanish" school
sound. The original Lopez has been slacked and stacked in the back of
the closet.

The woods are aged, 60+ years for the German Spruce top and 40+years
for the Brazilian back and sides. The tuners are Fustero's best, of
course. As I play it in, it just gets better and better and louder
and louder. If you want pictures of this guitar, I'm sure Darren will
be glad to provide them or I can send some to you.

The guy is certainly one of the most underrated and underpriced
luhtiesr around. He won't stay that way very long. Give him an email
at: ***@dccnet.com and ask about his guitars.

Darren is a guitar player as well as a guitar maker so nothing gets
out of his shop that doesn't sound good.

Try one......you'll like it.

Robert
Robert Crim
2004-07-09 23:07:54 UTC
Permalink
Post by Robert Crim
but for his original lutheran in his own
Spell checker thinks luthiers are lutherans.......

Robert
Richard F. Sayage
2004-07-09 23:15:07 UTC
Permalink
Post by Robert Crim
Post by Robert Crim
but for his original lutheran in his own
Spell checker thinks luthiers are lutherans.......
Robert
Hi Robert,

Long time! I think they are religious in some aspect, so we'll forgive
the spell checker. As for what you said about Darren, I can only agree
wholeheartedly.

Rich
Robert Crim
2004-07-09 23:21:36 UTC
Permalink
On Fri, 09 Jul 2004 23:15:07 GMT, "Richard F. Sayage"
Post by Richard F. Sayage
Post by Robert Crim
Post by Robert Crim
but for his original lutheran in his own
Spell checker thinks luthiers are lutherans.......
Robert
Hi Robert,
Long time! I think they are religious in some aspect, so we'll forgive
the spell checker. As for what you said about Darren, I can only agree
wholeheartedly.
Rich
It takes a lot to put a vintage Lopez from his peak years back into
the closet. Darren's interpretation, based on the measurements he
took, the research he did, and the "feel" he got from working on the
original, did that.

Robert
Richard F. Sayage
2004-07-10 10:44:21 UTC
Permalink
Post by Robert Crim
On Fri, 09 Jul 2004 23:15:07 GMT, "Richard F. Sayage"
Post by Richard F. Sayage
Post by Robert Crim
Post by Robert Crim
but for his original lutheran in his own
Spell checker thinks luthiers are lutherans.......
Robert
Hi Robert,
Long time! I think they are religious in some aspect, so we'll forgive
the spell checker. As for what you said about Darren, I can only agree
wholeheartedly.
Rich
It takes a lot to put a vintage Lopez from his peak years back into
the closet. Darren's interpretation, based on the measurements he
took, the research he did, and the "feel" he got from working on the
original, did that.
Robert
No surprise there. My HipHaus is un-freakin'-believable (hmmm, just
came up with that one...kinda like it...much like the Schnauser). Same for
David Schramm. It's very obvious he knows what's goin' on.
Plug..plug..plug...nice...nice...nice... :-)

Rich
--
Richard F. Sayage
www.savageclassical.com

Remove ZEROSPAM to reply...thx

http://www.orphee.com/rmcg/album-rm lbum.html
http://www.savageclassical.com/rmcg/album-rmcg/album.html
John Wasak
2004-07-10 00:14:00 UTC
Permalink
Post by Robert Crim
Post by Robert Crim
but for his original lutheran in his own
Spell checker thinks luthiers are lutherans.......
Robert
Well, some may be.

Maybe your spell checker knows a few.


jw


PS. That's why I never use the spell checker. It thinks it knows what I want
to say. Hah!...I don't even know what I want to say! And I'm sayng it!

PPS. Out of curiosity I used my spell checker on 'luthiers' and it suggests
: lathers, Luther's, Luther. Maybe my spell checker doesn't believe in
organized religion.
Steven Bornfeld
2004-07-10 01:53:05 UTC
Permalink
Post by Richard F. Sayage
Post by Steven Bornfeld
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth, and I hope I
get the opportunity.
Steve
Steve, have you gotten a guitar from Darren yet?
Now I can sing the praises of both David S and Darren H. Though, I'm
not so certain that David is under-rated at this point. :-)
Mr. Carruth I have no experience with...baby needs new shoes afore I can
play "another" guitar. Shoot, my wife finally noticed the old Hauser (hans)
I picked up. She said, "Where the f*ck did that come from"? Trust me, she
don't curse normally, if ever. I had to assure her I would get rid of it.
So...I ain't gettin' a new guitar anytime soon, as much as I'd like to try
one from Alan C. Dang, them women is tough!!!
Rich
I foolishly purchased a Martin OM-28V on ebay a few months ago. (Not
really foolishly, though I haven't been playing it much). I'll be
sleeping alone if another guitar comes in here anytime soon. I may sell
my old Gurian JR, and then the negotiations will start.

Steve
Alan Wedin
2004-07-10 02:08:07 UTC
Permalink
Post by Richard F. Sayage
Post by Steven Bornfeld
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth, and I hope I
get the opportunity.
Steve
Steve, have you gotten a guitar from Darren yet?
Now I can sing the praises of both David S and Darren H. Though, I'm
not so certain that David is under-rated at this point. :-)
Mr. Carruth I have no experience with...baby needs new shoes afore I can
play "another" guitar. Shoot, my wife finally noticed the old Hauser (hans)
I picked up. She said, "Where the f*ck did that come from"? Trust me, she
don't curse normally, if ever. I had to assure her I would get rid of it.
So...I ain't gettin' a new guitar anytime soon, as much as I'd like to try
one from Alan C. Dang, them women is tough!!!
Rich
--
Richard F. Sayage
www.savageclassical.com
Funny. My wife yells at me every time I sell a guitar. She would probably
castrate me if I sold my OA1. Sorry guys, she's taken!!


Alan Wedin
http://home.earthlink.net/~awedinsprint
Steve
2004-07-09 23:34:42 UTC
Permalink
Post by Steven Bornfeld
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth,
Al Carruth's guitars are gorgeous in every respect. I don't own one, but I
had the good fortune to play his "Autumn" guitar while the french polish was
still wet, and it sounded incredible. You really should check that guitar
out at his website. The rosette is amazing!

Steve
Steven Bornfeld
2004-07-10 02:04:43 UTC
Permalink
Post by Steve
Post by Steven Bornfeld
Post by CV
Id actually be more interested in the most Underrated Luthier.
Chip
Too bad Robert Crim isn't here to sing the praises of Darren Hippner.
He seems to be the most highly-esteemed allegedly-underrated luthier.
Personally, I've played neither a Schramm nor a Carruth,
Al Carruth's guitars are gorgeous in every respect. I don't own one, but I
had the good fortune to play his "Autumn" guitar while the french polish was
still wet, and it sounded incredible. You really should check that guitar
out at his website. The rosette is amazing!
Steve
I know I feel priviledged to see Alan's (and David'e) erudition here
and on the yahoo group. Alan's encyclopedic knowledge of acoustics is
particularly amazing, and has had me thinking about technical aspects of
the instrument that had never occured to me.

Steve
John Rethorst
2004-07-10 02:56:25 UTC
Permalink
Post by Steven Bornfeld
Alan's encyclopedic knowledge of acoustics is
particularly amazing,
Not to mention finishes, and many other aspects of our loved ones. I just
hope to be able to play one of Mr. Carruth's creations one day.
--
John Rethorst

jrethorst -at- post -dot- com
ITMX925
2004-07-09 13:39:42 UTC
Permalink
We can do that as well.

Who is your pick?

'JohnDowland'
Edward Bridge
2004-07-09 16:05:31 UTC
Permalink
Post by ITMX925
We can do that as well.
Who is your pick?
John Bogdanovich http://www.jsbguitars.com


Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
ITMX925
2004-07-10 05:15:26 UTC
Permalink
Dear Ed,

I tend to agree. I've played a few of his instruments and found them:

1] Exceptionally fine.

2] Underpriced.


'JohnDowland'
Alain Reiher
2004-07-09 17:12:26 UTC
Permalink
http://www.ganzguitars.com/

http://www.pioneermusicco.com/photopage.asp?q_Item=411

http://jeanrompre.ca/


Alain
Post by ITMX925
We can do that as well.
Who is your pick?
'JohnDowland'
Joseph Raymond
2004-07-09 22:56:50 UTC
Permalink
Hi Alain,
Re: _Under_ rated Luthiers

Do you have any links where one might hear a Rompre guitar?

Joe
Post by Alain Reiher
http://www.ganzguitars.com/
http://www.pioneermusicco.com/photopage.asp?q_Item=411
http://jeanrompre.ca/
Alain
John Wasak
2004-07-10 00:24:15 UTC
Permalink
Post by Joseph Raymond
Re: _Under_ rated Luthiers
Any X-rated luthiers?

I was kinda thinkin' that I could use sumthin' to go with my Naked Lady tie.
Maybe even the one that lights up on Christmas.

(the tie, not the luthier....though I suppose it's okay if the luthier
lights up on Christmas...but hopefully not too close to the pile of wood
shavings!)


jw
JoeT
2004-07-09 10:09:47 UTC
Permalink
I tend to buy from up an coming luthiers who are building great instruments.
That's where I find the best value.
Post by ITMX925
Politics is boring. I have heard so many wealthy, middle and low income
Republicans say they won't vote for Bush - and now that Kerry has announced an
ambulance chaser as a running mate, Bush might be getting back the vote.
As far as the Democrats are concerned, I like Will Rodgers' comment about "not
being a member of any organized political party - I'm a Democrat."
So I think it's time to mix it up.
Remember, this question can only be answered as an opinion.
And of course, some people will be looking down their nose at certain
responses. Happens all the time.
It's like driving a Maserati and actually feel that someone driving a Taurus
could ever have the right of way.
Name the most overrated American luthier?
This will cause some hairs to raise. But I ask this only because the price of
some of the 'name' guitars are going out of sight and there are some brilliant
young luthiers whose work deserves consideration.
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
Let the games begin. Please keep the death threats to a minimum. My health is
not that great and I am prone to fits of despair. Perhaps I should have been an
Edwardian age pianist instead of an antique lutenist.
Best regards,
'JohnDowland'
Edward Bridge
2004-07-09 13:34:43 UTC
Permalink
Post by ITMX925
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
Has anyone played the new Manuel VELAZQUEZ for 20 grand ????.Making his
guitars in P.R. now but as _you_ know many years in New York including some
of his best (IMO) from the mid 1950's . Should one buy a guitar from a man
in his mid 80's for 20 grand , or any guitar for 20 grand that's a not old
vintage guitar.

I have a love for Velazquez guitars , I wish I didn't sold mine to Tony
at Luthier's three years ago but I do like making money. If Armin wants
to sell a guitar 30 grand , God bless him because _that's _ his right and
he's a person that's always helps me with questions and is a wonderful
person/friend.

So what's overrated , the name or the price. IMO , as for the price of 20
grand???? Of course this is the case sour grapes because I wish I could buy
that new Velazquez from Armin.

Thomas Humphrey (as you know again ) made a sweetheart Hauser type guitar
one time in his life.Would you call that guitar overrated?



Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Ashby
2004-07-10 03:55:49 UTC
Permalink
"Edward Bridge" <***@earthlink.net> wrote in message news:T9xHc.13285$***@newsread2.news.atl.earthlink.net...
<snip>
Post by Edward Bridge
Should one buy a guitar from a man
in his mid 80's for 20 grand?
If his name is Manuel Velazquez, probably so.
Post by Edward Bridge
I have a love for Velazquez guitars , I wish I didn't sold mine to Tony
at Luthier's three years ago but I do like making money. If Armin wants
to sell a guitar 30 grand , God bless him because _that's _ his right and
he's a person that's always helps me with questions and is a wonderful
person/friend.
More power to him.
Post by Edward Bridge
So what's overrated , the name or the price. IMO , as for the price of 20
grand???? Of course this is the case sour grapes because I wish I could buy
that new Velazquez from Armin.
I am extremely irritated that I don't have $20k to buy that guitar. Sour
grapes? You bet.
Post by Edward Bridge
Thomas Humphrey (as you know again ) made a sweetheart Hauser type guitar
one time in his life.Would you call that guitar overrated?
No.

Ed, funny you should mention this. I just got back from playing 2 Velazquez
guitars today. They were both exquisite, early 60's models, yet they were
very different. One had a very wide fingerboard, I'm guessing it was 54 mm
at the nut. It needed a powerful stroke to get the sound out. But when
played hard, it was unbelievable. The other one produced a full but delicate
sound regardless of how hard or softly it was played. I've always been
amazed at the different personalities Velazquez guitars have. And I've never
seen one I didn't like.

A long time ago Velazquez used to live here in Virginia. People would say
hey man there's this guy up in Alexandria who's knocking out some dynamite
guitars. So everybody was riding up there to get guitars made. I know one
guy who had Velazquez make him a left-handed guitar. He claims it's the only
left-handed guitar Velazquez ever made.
Post by Edward Bridge
Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Peace to you,
Ashby
Edward Bridge
2004-07-10 07:27:20 UTC
Permalink
Post by Ashby
Ed, funny you should mention this. I just got back from playing 2 Velazquez
guitars today. They were both exquisite, early 60's models, yet they were
very different. One had a very wide fingerboard, I'm guessing it was 54 mm
at the nut. It needed a powerful stroke to get the sound out. But when
played hard, it was unbelievable. The other one produced a full but delicate
sound regardless of how hard or softly it was played. I've always been
amazed at the different personalities Velazquez guitars have. And I've never
seen one I didn't like.
Hi Ashby

Maybe one of the reasons why the M.Velazquez guitars from 1961 to 1964
sounded so different from each other guitar is that during those years he
had some really great makers helping him . It's was also a dark period in
his life and he got rip off .I'm sure some one here in this news group can
nail a better story then me about what happen with the Blair brothers and
the different makers who may the "El Classisco" with M.Velazquez.

Peace
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Steven Bornfeld
2004-07-09 13:34:47 UTC
Permalink
Post by ITMX925
Politics is boring. I have heard so many wealthy, middle and low income
Republicans say they won't vote for Bush - and now that Kerry has announced an
ambulance chaser as a running mate, Bush might be getting back the vote.
As far as the Democrats are concerned, I like Will Rodgers' comment about "not
being a member of any organized political party - I'm a Democrat."
So I think it's time to mix it up.
Remember, this question can only be answered as an opinion.
And of course, some people will be looking down their nose at certain
responses. Happens all the time.
It's like driving a Maserati and actually feel that someone driving a Taurus
could ever have the right of way.
Name the most overrated American luthier?
This will cause some hairs to raise. But I ask this only because the price of
some of the 'name' guitars are going out of sight and there are some brilliant
young luthiers whose work deserves consideration.
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
Let the games begin. Please keep the death threats to a minimum. My health is
not that great and I am prone to fits of despair. Perhaps I should have been an
Edwardian age pianist instead of an antique lutenist.
Best regards,
'JohnDowland'
Hey--nice troll! ;-)

Steve
ITMX925
2004-07-09 14:02:28 UTC
Permalink
"Hey--nice troll!"

Dear Steve,

I am still unaware of what a troll is. I assume it is not a good thing however.

My posed question reflects more on the marketing "art and artist" aspect of
overrated instruments. My selection of overrated luthiers is based upon:

1] Personal contact with the builders.

2] Price vs. Value.

3] Playing the instruments. Do they take my breath away?

4] Would I buy one of their instruments?

Given these four points, Oribe and Humphrey are the two builders whose
instruments I have played over the past 40 years whose answer to question 4
would be No.

Sorry you consider such a posed question 'troll-like'.

Had we met at a concert or a festival, I would ask the same question. I think I
would have received an answer instead of a judgement.

Perhaps it is the manner of communication that makes it easier to judge than to
communicate.

Your comments on this group have historically been giving and erudite.

As to my own knowlege of builders, I have had the luxury of meeting with and
discussing various aspects of the art with various builders since the early
1970s. I commissioned a guitar in 1972 from a builder who had made, until that
point, four guitars. It remains to be one of the best guitars to record with.
Replica of the famed Robert Bouchet bracing system.

I could also pose the question, "What instrument did you once own that you wish
you had back?"

I am sure that would generate responses.
I know I would have mine.

Regards,

'JohnDowland'
Steven Bornfeld
2004-07-09 14:10:54 UTC
Permalink
Post by ITMX925
"Hey--nice troll!"
Dear Steve,
I am still unaware of what a troll is. I assume it is not a good thing however.
My posed question reflects more on the marketing "art and artist" aspect of
1] Personal contact with the builders.
2] Price vs. Value.
3] Playing the instruments. Do they take my breath away?
4] Would I buy one of their instruments?
Given these four points, Oribe and Humphrey are the two builders whose
instruments I have played over the past 40 years whose answer to question 4
would be No.
Sorry you consider such a posed question 'troll-like'.
Had we met at a concert or a festival, I would ask the same question. I think I
would have received an answer instead of a judgement.
Perhaps it is the manner of communication that makes it easier to judge than to
communicate.
Your comments on this group have historically been giving and erudite.
As to my own knowlege of builders, I have had the luxury of meeting with and
discussing various aspects of the art with various builders since the early
1970s. I commissioned a guitar in 1972 from a builder who had made, until that
point, four guitars. It remains to be one of the best guitars to record with.
Replica of the famed Robert Bouchet bracing system.
I could also pose the question, "What instrument did you once own that you wish
you had back?"
I am sure that would generate responses.
I know I would have mine.
Regards,
'JohnDowland'
Maybe I have you wrong. Your initial post did indicate that you were
aware your query could generate some nastiness, which is the essence of
trolling.
I would be the last to say that knowing which guitars are more hype
than substance is useful information, but knowing which are undiscovered
gems is arguably more valuable.
I don't disagree with your premise that some guitars are overrated. I
am a relative novice, so my judgement is not worth the computer screen
it's printed on.

Steve
Alain Reiher
2004-07-17 21:13:27 UTC
Permalink
Hola NG lurkers and Participants ...

A week ago, prior to leaving for what turned out to be a marvelllllllous
family holiday on the sunshine coast of this beautiful British Columbia
Canadian province ... I posted two links in that thread which gave access to
the sites of my two favorites [underrated] guitar builders ... Steve Ganz
[from which I received a beautiful, amazing, fantastic, guitar 3 months ago]
and Jean Rompré. I did not mean to post those two links for them to be
considered! "overrated" Luthier!!!
I hope no one here has interpreted those two links like this!
At the very beginning of my holidays, I played a concert in a small church
[Saturday July 10] with my Ganz "Prélude" and man! Now I know I have a great
guitar in my hands! The concert went very well! I did the first part (20
minutes solo, HVB MazurkaChoro and Choro # 1 and A. Lauro, 4 mvts suite
Venezuelano ) followed with a duo with Hanh Nguyen (Y. Rivoal Milonga, J.
Cardoso Milonga, C. Machado III Ponteio, A. Vivaldi sonata VIII (preludio
and corrente)) (another 20 minutes) and Hanh finished the evening with her
solo part! (Tango en Skaï R. Dyens, Tojira F. M. Torroba, Faire A. York,
Koyumbaba C. Domeniconi, What a great player she is! Having finished my two
acts for the concert I could really sit and enjoy ~ [;o)
I am glad I have had the good fortune to leave such an experience, it made
me realize the great quality beholded by my beloved Ganz prelude! Clarity,
excellent intonation, balance, coloratura and and an excellent response to
dynamics! [And its been only 3 months since it was built!]

Alain

P.S. Me and my Ganz, and I took that as a positive omen, we have seen,
up-close, early morning, a bald eagle landing on the shore! [Do not worry
Steve! I make sure when I played outside that I was in the shadow of those
two majestic cedar threes! In fact I think the bald eagle was up on one of
them just before coming down!] [;o)
Post by Steven Bornfeld
Post by ITMX925
"Hey--nice troll!"
Dear Steve,
I am still unaware of what a troll is. I assume it is not a good thing however.
My posed question reflects more on the marketing "art and artist"
aspect of
Post by Steven Bornfeld
Post by ITMX925
1] Personal contact with the builders.
2] Price vs. Value.
3] Playing the instruments. Do they take my breath away?
4] Would I buy one of their instruments?
Given these four points, Oribe and Humphrey are the two builders whose
instruments I have played over the past 40 years whose answer to question 4
would be No.
Sorry you consider such a posed question 'troll-like'.
Had we met at a concert or a festival, I would ask the same question. I think I
would have received an answer instead of a judgement.
Perhaps it is the manner of communication that makes it easier to judge than to
communicate.
Your comments on this group have historically been giving and erudite.
As to my own knowlege of builders, I have had the luxury of meeting with and
discussing various aspects of the art with various builders since the early
1970s. I commissioned a guitar in 1972 from a builder who had made, until that
point, four guitars. It remains to be one of the best guitars to record with.
Replica of the famed Robert Bouchet bracing system.
I could also pose the question, "What instrument did you once own that you wish
you had back?"
I am sure that would generate responses.
I know I would have mine.
Regards,
'JohnDowland'
Maybe I have you wrong. Your initial post did indicate that you were
aware your query could generate some nastiness, which is the essence of
trolling.
I would be the last to say that knowing which guitars are more hype
than substance is useful information, but knowing which are undiscovered
gems is arguably more valuable.
I don't disagree with your premise that some guitars are overrated. I
am a relative novice, so my judgement is not worth the computer screen
it's printed on.
Steve
Steven Bornfeld
2004-07-18 01:17:58 UTC
Permalink
Post by Alain Reiher
Hola NG lurkers and Participants ...
A week ago, prior to leaving for what turned out to be a marvelllllllous
family holiday on the sunshine coast of this beautiful British Columbia
Canadian province ... I posted two links in that thread which gave access to
the sites of my two favorites [underrated] guitar builders ... Steve Ganz
[from which I received a beautiful, amazing, fantastic, guitar 3 months ago]
and Jean Rompré. I did not mean to post those two links for them to be
considered! "overrated" Luthier!!!
I hope no one here has interpreted those two links like this!
At the very beginning of my holidays, I played a concert in a small church
[Saturday July 10] with my Ganz "Prélude" and man! Now I know I have a great
guitar in my hands! The concert went very well! I did the first part (20
minutes solo, HVB MazurkaChoro and Choro # 1 and A. Lauro, 4 mvts suite
Venezuelano ) followed with a duo with Hanh Nguyen (Y. Rivoal Milonga, J.
Cardoso Milonga, C. Machado III Ponteio, A. Vivaldi sonata VIII (preludio
and corrente)) (another 20 minutes) and Hanh finished the evening with her
solo part! (Tango en Skaï R. Dyens, Tojira F. M. Torroba, Faire A. York,
Koyumbaba C. Domeniconi, What a great player she is! Having finished my two
acts for the concert I could really sit and enjoy ~ [;o)
I am glad I have had the good fortune to leave such an experience, it made
me realize the great quality beholded by my beloved Ganz prelude! Clarity,
excellent intonation, balance, coloratura and and an excellent response to
dynamics! [And its been only 3 months since it was built!]
Alain
P.S. Me and my Ganz, and I took that as a positive omen, we have seen,
up-close, early morning, a bald eagle landing on the shore! [Do not worry
Steve! I make sure when I played outside that I was in the shadow of those
two majestic cedar threes! In fact I think the bald eagle was up on one of
them just before coming down!] [;o)
Sounds beautiful, Alain! Hope I make it out your way again before too
long.

Steve
Alain Reiher
2004-07-18 04:21:56 UTC
Permalink
Hi! Steve,

Yes, It was a nice experience. (The entire week!)
Please do e-mail me privately if you come again this way in the near future!
I'll send you my phone # etc.
[:o)

Alain
Post by Steven Bornfeld
Post by Alain Reiher
Hola NG lurkers and Participants ...
A week ago, prior to leaving for what turned out to be a marvelllllllous
family holiday on the sunshine coast of this beautiful British Columbia
Canadian province ... I posted two links in that thread which gave access to
the sites of my two favorites [underrated] guitar builders ... Steve Ganz
[from which I received a beautiful, amazing, fantastic, guitar 3 months ago]
and Jean Rompré. I did not mean to post those two links for them to be
considered! "overrated" Luthier!!!
I hope no one here has interpreted those two links like this!
At the very beginning of my holidays, I played a concert in a small church
[Saturday July 10] with my Ganz "Prélude" and man! Now I know I have a great
guitar in my hands! The concert went very well! I did the first part (20
minutes solo, HVB MazurkaChoro and Choro # 1 and A. Lauro, 4 mvts suite
Venezuelano ) followed with a duo with Hanh Nguyen (Y. Rivoal Milonga, J.
Cardoso Milonga, C. Machado III Ponteio, A. Vivaldi sonata VIII (preludio
and corrente)) (another 20 minutes) and Hanh finished the evening with her
solo part! (Tango en Skaï R. Dyens, Tojira F. M. Torroba, Faire A. York,
Koyumbaba C. Domeniconi, What a great player she is! Having finished my two
acts for the concert I could really sit and enjoy ~ [;o)
I am glad I have had the good fortune to leave such an experience, it made
me realize the great quality beholded by my beloved Ganz prelude! Clarity,
excellent intonation, balance, coloratura and and an excellent response to
dynamics! [And its been only 3 months since it was built!]
Alain
P.S. Me and my Ganz, and I took that as a positive omen, we have seen,
up-close, early morning, a bald eagle landing on the shore! [Do not worry
Steve! I make sure when I played outside that I was in the shadow of those
two majestic cedar threes! In fact I think the bald eagle was up on one of
them just before coming down!] [;o)
Sounds beautiful, Alain! Hope I make it out your way again before too
long.
Steve
David Schramm
2004-07-09 16:01:06 UTC
Permalink
Post by ITMX925
Replica of the famed Robert Bouchet bracing system.
Bouchet used different bracing systems. He didn't always use the tapered
transverse strut under the bridge. Many of his guitars were Torres copies
with the seven fan struts and the open harmonic bar. Bouchet guitars varied
from seven and five fan strut Torres systems depending upon how he read the
wood. You can buy a copy of his famous notebook which has hand written
details of every step on how he built his guitars. It's a fascinating book.
The artistic drawings of the details are worth the price of the book. I'm
currently building a Bouchet style guitar by request of George Sakellariou.
IMO the main characteristics of the Bouchet is not the bracing but his use
of the thin top. Brune has a great article on Bouchet in his Vintage Guitar
Magazine series titled "Guitars with Guts."
--
David Schramm
Clovis, CA
http://schrammguitars.com
http://onlineapprentice.com
Alan Wedin
2004-07-10 02:20:05 UTC
Permalink
Post by David Schramm
Post by ITMX925
Replica of the famed Robert Bouchet bracing system.
Bouchet used different bracing systems. He didn't always use the tapered
transverse strut under the bridge. Many of his guitars were Torres copies
with the seven fan struts and the open harmonic bar. Bouchet guitars varied
from seven and five fan strut Torres systems depending upon how he read the
wood. You can buy a copy of his famous notebook which has hand written
details of every step on how he built his guitars. It's a fascinating book.
The artistic drawings of the details are worth the price of the book. I'm
currently building a Bouchet style guitar by request of George
Sakellariou.
Post by David Schramm
IMO the main characteristics of the Bouchet is not the bracing but his use
of the thin top. Brune has a great article on Bouchet in his Vintage Guitar
Magazine series titled "Guitars with Guts."
--
David Schramm
Clovis, CA
http://schrammguitars.com
http://onlineapprentice.com
Can you let us know if he records anything with this guitar?? I'd love to
hear that!

Alan Wedin
http://home.earthlink.net/~awedinsprint
David Schramm
2004-07-10 02:55:48 UTC
Permalink
Post by Alan Wedin
Can you let us know if he records anything with this guitar?? I'd love to
hear that!
I'll see if he can record some stuff. He plays a Ruck for now. We have some
very exciting "goodies" in progress, but they will not be released for
awhile. Something guitarists have been wanting for a long time!!!!
--
David Schramm
Clovis, CA
http://schrammguitars.com
http://onlineapprentice.com
Jim A
2004-07-09 18:00:32 UTC
Permalink
Post by ITMX925
Name the most overrated American luthier?
Well, this does say OT, so I guess I don't have to stick to classical
guitars. I nominate Bob Benedetto...

Bob may be a great builder (or at least was), but you certainly paid a
premium for his name, and its incredible to me the prices that the
fender/guild benedettos are continuing to demand.

--Jim
GuitarsWeB
2004-07-09 18:18:45 UTC
Permalink
Post by ITMX925
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey
'John Dowland"

Overrated or overpriced ... these are both very subjective questions. To say
Jose Oribe is overrated ... in what way? His materials and workmanship are
second to none. Ask Richard Brune, or any number of luthiers. I think Jose
Ramirez even remarked on Oribe's work, in some of his writings. His prices are
out of line, too much? The (guitar) market place sets the price. If they were
too costly, no one would buy them. Right? So, to say Oribe is over priced is a
falsehood. He has built over 1600 instruments, since 1962. If they were, and
still are, overpriced, he would have a shop full of wood or guitars ... buy now
PLEASE! This is not the case. He sells instruments all the time, has a
beautiful shop and home in northern San Diego County. It show the fruits of his
and his wife's labor. Need I tell you the price of property in that area of
California? So, to say his instruments are over price is incorrect. Because the
PROOF is in the pudding, look at his life style, and the many people, from all
over the world, who buy Oribes. Go to his website, read the Oribe testimonials.
If you don't like the way an Oribe looks, plays or sounds, that's YOUR
"subjective opinion." But, again, the market place determines the price. So, as
I stated, "The Proof Is In The Pudding." It's like a Hasselblad camera. Until
you've owned one, it's hard to justify it's price. Now, I've been in and out of
this NG for a lot of years. Met many many people, some face to face. I've often
wondered who 'John Dowland' is or really is. You all know Paul McGuffin, my
opinions, some have meet me in person. And God knows I am opinionated! And,
about many things. But, one thing for sure, I, David Schramm, MO and a few
others, in this NG, always put their John Handcock after their opinions. Get my
drift? 'John Dowland'
Paul McGuffin
Richard F. Sayage
2004-07-09 20:50:02 UTC
Permalink
Post by GuitarsWeB
Post by ITMX925
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey
'John Dowland"
Overrated or overpriced ... these are both very subjective questions. To say
Jose Oribe is overrated ... in what way? His materials and workmanship are
second to none. Ask Richard Brune, or any number of luthiers. I think Jose
Ramirez even remarked on Oribe's work, in some of his writings. His prices are
out of line, too much? The (guitar) market place sets the price. If they were
too costly, no one would buy them. Right? So, to say Oribe is over priced is a
falsehood. He has built over 1600 instruments, since 1962. If they were, and
still are, overpriced, he would have a shop full of wood or guitars ... buy now
PLEASE! This is not the case. He sells instruments all the time, has a
beautiful shop and home in northern San Diego County. It show the fruits of his
and his wife's labor. Need I tell you the price of property in that area of
California? So, to say his instruments are over price is incorrect. Because the
PROOF is in the pudding, look at his life style, and the many people, from all
over the world, who buy Oribes. Go to his website, read the Oribe testimonials.
If you don't like the way an Oribe looks, plays or sounds, that's YOUR
"subjective opinion." But, again, the market place determines the price. So, as
I stated, "The Proof Is In The Pudding." It's like a Hasselblad camera. Until
you've owned one, it's hard to justify it's price. Now, I've been in and out of
this NG for a lot of years. Met many many people, some face to face. I've often
wondered who 'John Dowland' is or really is. You all know Paul McGuffin, my
opinions, some have meet me in person. And God knows I am opinionated! And,
about many things. But, one thing for sure, I, David Schramm, MO and a few
others, in this NG, always put their John Handcock after their opinions. Get my
drift? 'John Dowland'
Paul McGuffin
I've had the good fortune to have my hands on a few Oribe guitars (never
owned one...wish I did). Always fairly expensive, and always really great
instruments. You get what you pay for comes to mind, but that's too easy I
suppose. Unless you steal it, you're gonna pay more for a quality
instrument. You think you can take one of David Schramm's 1A Hausers for
cheap? hehe, ah....no....How about a top quality Ramirez 1A?
ah...no...unless the owner has no idea what they own. I should talk...I
found an amazing and dirty Ramirez 1A for cheap a while back. I mean really
cheap. Hmmm, maybe I should stop there.....
Well anyway, there are a good list of great guitars out there, but being
"overrated"...well it is subjective, and you're happy with whatever your
opinion is "Mr. Dowland", but an Oribe is a "fine" instrument in the
majority of cases. Please interpret "fine" as of the utmost quality in
woods, workmanship, playability, projection and overall sound. This is, of
course, in my most humble opinion. btw, I think it is telling that you
don't find many for sale in the "used" market.
Humphrey's I've never played.

Incoming...sig that is...hehe

Rich
--
Richard F. Sayage
www.savageclassical.com

Remove ZEROSPAM to reply...thx

http://www.orphee.com/rmcg/album-rmcg/album.html
http://www.savageclassical.com/rmcg/album-rmcg/album.html
Richard F. Sayage
2004-07-10 10:49:07 UTC
Permalink
Post by GuitarsWeB
Post by GuitarsWeB
Post by ITMX925
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey
'John Dowland"
Overrated or overpriced ... these are both very subjective questions. To
say
Post by GuitarsWeB
Jose Oribe is overrated ... in what way? His materials and workmanship are
second to none. Ask Richard Brune, or any number of luthiers. I think Jose
Ramirez even remarked on Oribe's work, in some of his writings. His
prices
Post by GuitarsWeB
are
Post by GuitarsWeB
out of line, too much? The (guitar) market place sets the price. If they
were
Post by GuitarsWeB
too costly, no one would buy them. Right? So, to say Oribe is over
priced
Post by GuitarsWeB
is a
Post by GuitarsWeB
falsehood. He has built over 1600 instruments, since 1962. If they were,
and
Post by GuitarsWeB
still are, overpriced, he would have a shop full of wood or guitars ...
buy now
Post by GuitarsWeB
PLEASE! This is not the case. He sells instruments all the time, has a
beautiful shop and home in northern San Diego County. It show the fruits
of his
Post by GuitarsWeB
and his wife's labor. Need I tell you the price of property in that area
of
Post by GuitarsWeB
California? So, to say his instruments are over price is incorrect.
Because the
Post by GuitarsWeB
PROOF is in the pudding, look at his life style, and the many people,
from
Post by GuitarsWeB
all
Post by GuitarsWeB
over the world, who buy Oribes. Go to his website, read the Oribe
testimonials.
Post by GuitarsWeB
If you don't like the way an Oribe looks, plays or sounds, that's YOUR
"subjective opinion." But, again, the market place determines the price.
So, as
Post by GuitarsWeB
I stated, "The Proof Is In The Pudding." It's like a Hasselblad camera.
Until
Post by GuitarsWeB
you've owned one, it's hard to justify it's price. Now, I've been in and
out of
Post by GuitarsWeB
this NG for a lot of years. Met many many people, some face to face.
I've
Post by GuitarsWeB
often
Post by GuitarsWeB
wondered who 'John Dowland' is or really is. You all know Paul McGuffin,
my
Post by GuitarsWeB
opinions, some have meet me in person. And God knows I am opinionated!
And,
Post by GuitarsWeB
about many things. But, one thing for sure, I, David Schramm, MO and a few
others, in this NG, always put their John Handcock after their opinions.
Get my
Post by GuitarsWeB
drift? 'John Dowland'
Paul McGuffin
I've had the good fortune to have my hands on a few Oribe guitars (never
owned one...wish I did). Always fairly expensive, and always really great
instruments. You get what you pay for comes to mind, but that's too easy I
suppose. Unless you steal it, you're gonna pay more for a quality
instrument. You think you can take one of David Schramm's 1A Hausers for
cheap? hehe, ah....no....How about a top quality Ramirez 1A?
ah...no...unless the owner has no idea what they own. I should talk...I
found an amazing and dirty Ramirez 1A for cheap a while back. I mean really
cheap. Hmmm, maybe I should stop there.....
Well anyway, there are a good list of great guitars out there, but being
"overrated"...well it is subjective, and you're happy with whatever your
opinion is "Mr. Dowland", but an Oribe is a "fine" instrument in the
majority of cases. Please interpret "fine" as of the utmost quality in
woods, workmanship, playability, projection and overall sound. This is, of
course, in my most humble opinion. btw, I think it is telling that you
don't find many for sale in the "used" market.
Humphrey's I've never played.
What??? no wise ass answers like, "That's because they all exploded when
they were first played"!!! Can't buy what done blowed up now, can you?
Harrumphhh...that's it....I'm doin' a Crim (another new one)...or doin' the
Ophee....I'm outta here.

Talk to you tomorrow...

Rich
ITMX925
2004-07-11 06:12:07 UTC
Permalink
"As far as overrated American luthiers, I have two for the list.

Jose Oribe and Thomas Humphrey

'John Dowland"

Overrated or overpriced ... these are both very subjective questions. To say
Jose Oribe is overrated ... in what way? His materials and workmanship are
second to none. Ask Richard Brune, or any number of luthiers. I think Jose
Ramirez even remarked on Oribe's work, in some of his writings. His prices are
out of line, too much? The (guitar) market place sets the price. If they were
too costly, no one would buy them. Right? So, to say Oribe is over priced is a
falsehood. He has built over 1600 instruments, since 1962. If they were, and
still are, overpriced, he would have a shop full of wood or guitars ... buy now
PLEASE! This is not the case. He sells instruments all the time, has a
beautiful shop and home in northern San Diego County. It show the fruits of his
and his wife's labor. Need I tell you the price of property in that area of
California? So, to say his instruments are over price is incorrect. Because the
PROOF is in the pudding, look at his life style, and the many people, from all
over the world, who buy Oribes. Go to his website, read the Oribe testimonials.
If you don't like the way an Oribe looks, plays or sounds, that's YOUR
"subjective opinion." But, again, the market place determines the price. So,
as I stated, "The Proof Is In The Pudding." It's like a Hasselblad camera.
Until you've owned one, it's hard to justify it's price. Now, I've been in and
out of this NG for a lot of years. Met many many people, some face to face.
I've often wondered who 'John Dowland' is or really is. You all know Paul
McGuffin, my opinions, some have meet me in person. And God knows I am
opinionated! And, about many things. But, one thing for sure, I, David Schramm,
MO and a few others, in this NG, always put their John Handcock after their
opinions. Get my drift? 'John Dowland'
Paul McGuffin






Dear Paul,

"As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey."

'John Dowland"

For clarification, the original question pertained to instruments that are
overrated, not overpriced. Yes, they are both subjective questions inasmuch as
a personal opinion would be needed to justify a response, but the subjectivity
should be halved, as only one question is germane to the original query.

In your post you made comments I thought would warrant further discuss.

"His materials and workmanship are second to none."

By this subjective statement it puts all other luthiers in the world second
place or lower.

"Ask Richard Brune, or any number of luthiers. I think Jose Ramirez even
remarked on Oribe's work, in some of his writings."

Yes, I have talked with Richard Brune, via phone as well as visiting him in his
studio near Chicago. I consider him to be one of the top American experts on
classical and flamenco guitars. In all our conversations over the years we
never spoke of Oribe. I believe he had an example in one of his display cases
when I last visited. I did not play it. Don Jose Ramirez spoke of Oribe's use
of Western Red Cedar in his book Things About The Guitar. A good if sometimes
less than factual account of the Ramirez legend.

In a phone conversation I had with Oribe many years ago, I asked him if he knew
the name of any of the early, i.e. 19th century guitar builders working in
California. He indicated that he did not know any 19th century builders and
that he was the only guitar builder working in California during the 20th
century. I felt his arrogance and ignorance spoke volumes.

"If they were too costly, no one would buy them. Right? So, to say Oribe is
over priced is a falsehood. He has built over 1600 instruments, since 1962."

Yes, I know he sells his instruments all the time. He told me the Japanese are
very hot on his guitars. I have also seen them pay thousands for Levi
bluejeans. I have seen them pay millions for Southern California real estate
that was only worth one million.

The fact that he can sell his instruments at the price he demands is not
germane to the question. Bless him that he can. I don't care if people pay his
price. If people want them, they will buy them. Again, the initial question was
not based upon supply and demand or price point.

"So, to say Oribe is over priced is a falsehood."

Again, I never said his guitars were over priced.

I visited his studio many years ago before the move to his present location.
Yes I know the price of land in California. I own some undeveloped mountain
property. Outrageously inflated prices, but then, they are not making any of it
anymore.

"…look at his life style…"

I do not understand how invading his privacy would further define his ability
as a luthier.

Yes, Hasselblad cameras are nice and costly. The best large format camera on
the market. Leica make a nice camera as well and is costly as well. Your point
being?

"I've often wondered who 'John Dowland' is or really is. You all know Paul
McGuffin, my opinions, some have meet me in person. And God knows I am
opinionated! And, about many things. But, one thing for sure, I, David Schramm,
MO and a few
others, in this NG, always put their John Handcock after their opinions. Get my
drift? 'John Dowland'"


"…who 'John Dowland' is or really is."
Usage confusing. I assume you meant to say "…who 'John Dowland' (sic) was or
really is" or "who 'John Dowland' (sic) is or really was."

"And God knows…"
Usage confusing. Would be better not to begin a sentence with "And".

"And, about many…"
Usage confusing. See above comment. Further, linguists consider the use of a
comma following "and" to be redundant.

"…David Schramm…"
By your own "subjective opinion", one of the countless luthiers who do not
measure up to the finest luthier in the world. [[ As a side note, I spoke
with David Schramm years ago when he was just beginning and found him to be a
bright light in storm of builders. I believe he will still be around when many
others will have changed professions. Unfortunately I have never had the chance
to play any of his guitars, but my "subjective opinion" based upon what I have
read and heard is they would be exceptionally fine instruments. ]]


"…John Handcock…"
I assume this is merely an historically inaccurate reference. His name was
Hancock, not Handcock.

M.O. tried to discover my identity but brilliantly failed. Briefly, my name
would not change my opinion no more than your opinion would change if you
spelled your name MacGuffin.

I do in fact "get your drift." The question is, do you get my drift?


'JohnDowland'
GuitarsWeB
2004-07-11 13:25:48 UTC
Permalink
I think you made your point very well! I do hope all read it. Yes, I agree ...
I would have to say, Will Rogers never met Jose Oribe. Sorry for all the
incorrect spellings. And, I do agree with you and the ,,,, and ,,,and. But, for
some stupid reason, all my son's English teachers seem to insist he do the ,,
and. John, I type things in a hurry, I should check my work and spelling more
closely. I didn't know you were going to grade me or my opinions on it. I do
suffer from ADD.
Paul McGuffin
John Wasak
2004-07-12 04:05:30 UTC
Permalink
ITMX925 <***@aol.com> wrote in message news:***@mb-m22.aol.com...
[snippety snip]
Post by ITMX925
Yes, Hasselblad cameras are nice and costly. The best large format camera on
the market. Leica make a nice camera as well and is costly as well. Your point
being?
'JohnDowland'
Dyer 'John Dowland',

I knowe that being behinde tymes is naught an easie thinge. I can completlie
commiserate with your situation, beliefe me! After all, you haue been dead
now for about, what, 378 yeares?... (and I say thy yeares hath made thee
white!) Sure and well, of course, being off earth's face for that longe is
bound to leafe some wrong impressions, some slip-ups, some errors, when one
attempteths the gayme of plaing catche-up. Now beliefe me, tis onlie a
benefit in this is meante, and naught a vehement piercing of thine bubble,
such as to acte upoun thy minde and render it with disorder. I am liklie a
selfe only a quarter-step ahead of you at most on all this, but that is
onlie thus so becaufe I died a bit earlier - in 1585. Thusly and so, I haue
observed in reading this newsgroupe that everyone in it stryves to get theyr
facts correcte or in always trying to maketh it so the seconde-tyme around.
Concluding in that spirit (no pun intended!), I wil mention that the
Hasselblad is a Medium Format camera, not, as you hath suggested, a Large
Format.

BTW, hath you ever a chaunce to heare my 'Spem in alium'? After over 400
years now, I haue come to think that it mayeth be one of my beste.

Ephemerally Yours,

'Thomas Tallis'


PS. didst thou not obtain great delight uponst hearing that Paul O' Dette
fellowes nyce job on "The frogg galiard"? I found it infuseth with a
comfortable qualitie of Musicke.
ITMX925
2004-07-14 01:14:48 UTC
Permalink
I would call an 8 x 10 format a large format camera.

'JohnDowland'
John Wasak
2004-07-15 04:56:41 UTC
Permalink
Post by ITMX925
I would call an 8 x 10 format a large format camera.
'JohnDowland'
I would too, but a Hasselblad is not an 8 X 10 format.

See:

http://www.hasselbladusa.com/


jw
ITMX925
2004-07-16 03:10:30 UTC
Permalink
Not in the 1950s?

'JohnDowland'
thomas
2004-07-09 21:16:03 UTC
Permalink
Post by ITMX925
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
Stromberg. Way over-priced on the collectors' market
more because of their rarity than their quality.
Tony Morris
2004-07-10 19:17:42 UTC
Permalink
Post by ITMX925
Name the most overrated American luthier?
This will cause some hairs to raise. But I ask this only because the price of
some of the 'name' guitars are going out of sight and there are some brilliant
young luthiers whose work deserves consideration.
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
2 years ago, my friend & I went on a cross-country guitar shopping
trip and played 66 concert guitars in 4 days at Guitar Salon
International in Santa Monica, Guitar Solo in San Francisco, Beverly
Maher's Guitar Salon in Manhattan, Ed Bridge's place in Brooklyn, and
Tom Humphrey's shop in upstate NY.

We took notes on what we played, and compared them to our then-current
guitars. I won't re-write all our notes, but here's what we played:

GSI in Santa Monica (LA):
Howell 2002
Ramirez
Howell
Otto Vowinkel spruce
Moleth
Hauser 1938 (Pepe's guitar) tornavoz
Kevin Aram 2000
Blackshear
Michael Gee
Michael Bruck 2002
Munch 1965
Bernabe 2002 (our favorite here)
Rafael Romero Rodrigues
Contreras (double back)

Guitar Solo in San Francisco:

Renee Barslag 2002
Bernabe (loud)
Melchor Rodriguez 2000
Michael Thames 2000
Blackshear 97 (fine guitar)
Benn (?)
Kohno 2001 spruce
Sakurai 2000 spruce
Ramirez cedar
Lowden 2002 spruce
Antonio Naya Pardo spruce
Smallman 77 cedar, pre-lattice
Manuel de la Chica 60 flamenco spruce, repaired (loved it!)
Bernabe 2000 spruce
Fontanilla 2002 spruce
Sakurai 2000 spruce
Raghianti 2002 cedar
Alejandro 85 spruce


Guitar Salon Bev. Maher's place in Manhattan:

Bernabe spruce
Rubio 1971
Serge de Jonge 1997
Humphrey 2001
Rodrigo Manero spruce
Rodrio Manero spruce
Kohno cedar (20 year old)
Rosas 2000
Buischer 2001 cedar
Ruck 1971 cedear
Knipe Cedar
Sanfeliu 1920's, tornavoz (great)

Ed Bridge's place in Brooklyn:

Velasquez
Montero
Abreu
Abreu
Contreras 1989 cedar
Dieter Hopf (loud!)
Blackshear 1995
Brunei
Bogdanovich
Thames 1992
Mazanero 1967

Tom Humphrey's shop
one 1998, one 2001 model, six 2002 models
--------------------

One thing that became apparent immediately: guitars sound differently
with different players. Obvious, for sure, but it was really weird-
some guitars that I hated when I played them sounded completely
different when my friend played them. And vice-versa.


We ended up choosing 2 Humphreys, a 2001 model, and a 2002. Before
comparing a lot of guitars, I never thought I'd want a Humphrey, just
because so many people play them, especially around here in Austin,
and that is enough reason for me not to do it. Also, I have played a
few of them (Andrew Zohn's, Sharon Isbin's, and others) some of which
were great, some were OK, but not good enough for me to go against my
basic nature: I am more of a "lone wolf", not a herd animal, so I am
uncomfortable with trendiness.

Honestly, many of the above guitars were great, and I could have been
happy with any of a dozen of the above. The new Bernabes and concert
model Contrerases were consistently excellent. But, I was looking for
a magical guitar, and the guitar I chose was extraordinary, and the
best for me.

When I played the very first note on the guitar I chose, the two
people sitting on my left and right sides, (my friend, and Martha
Humphrey {Tom's wife}) both simultaneously turned their heads suddenly
out of surprise- the guitar was really powerful, beautiful, and
astonishingly loud.

It's funny, but before the trip, my mother in law told me that when I
found my guitar, not only would I know it, but probably everyone else
in the room would know it. She was exactly right.

Later, after I had made my decision, I found out that the one I chose
had belonged to Sergio Assad, who had toured and recorded with it, and
also that the back & sides had been made out of 50+ year aged
Brazilian rosewood, and also that Tom had originally made it for
himself with no intention of selling it. Every 10 years, he makes a
guitar for himself to keep, and that's what this one was intended to
be.


Before I went on the trip, I solicited a lot of people's advice on
what they look for in a guitar, and that was helpful. No matter what
your experience level, it is always good to seek out more information.
The best advice was to bring your own guitar along so that you have
something to compare with, which we did. I think it is also good to
have a buddy with you. It's good to have some support with someone you
trust when making such a momentous decision.

Tony Morris
Edward Bridge
2004-07-10 19:41:23 UTC
Permalink
"Tony Morris" <***@hotmail.com> wrote in message > Before I went
on the trip, I solicited a lot of people's advice on
Post by Tony Morris
what they look for in a guitar, and that was helpful. No matter what
your experience level, it is always good to seek out more information.
The best advice was to bring your own guitar along so that you have
something to compare with, which we did. I think it is also good to
have a buddy with you. It's good to have some support with someone you
trust when making such a momentous decision.
Now Tony .. it's time to up clean and tell everyone about the guitar you had
with you.
Now what happen to the finish on that poor, poor sweet guitar ,holy cow!

I saw a Mario Ulloa (try to get him on your show if you haven't , good
stuff) last night at the Mannes guitar show and close the whole concert
series playing his heart out on a beat up Humphrey, not like yours, but beat
up.

I'm glad to say every one of those guitars you've played sold including the
Contreras that just sold this week. Some models I always get new ones after
they sell like the Bogdanovich's and Abreu's.



Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Steven Bornfeld
2004-07-11 02:47:45 UTC
Permalink
Post by Tony Morris
Post by ITMX925
Name the most overrated American luthier?
This will cause some hairs to raise. But I ask this only because the price of
some of the 'name' guitars are going out of sight and there are some brilliant
young luthiers whose work deserves consideration.
As far as overrated American luthiers, I have two for the list.
Jose Oribe and Thomas Humphrey.
2 years ago, my friend & I went on a cross-country guitar shopping
trip and played 66 concert guitars in 4 days at Guitar Salon
International in Santa Monica, Guitar Solo in San Francisco, Beverly
Maher's Guitar Salon in Manhattan, Ed Bridge's place in Brooklyn, and
Tom Humphrey's shop in upstate NY.
We took notes on what we played, and compared them to our then-current
Howell 2002
Ramirez
Howell
Otto Vowinkel spruce
Moleth
Hauser 1938 (Pepe's guitar) tornavoz
Kevin Aram 2000
Blackshear
Michael Gee
Michael Bruck 2002
Munch 1965
Bernabe 2002 (our favorite here)
Rafael Romero Rodrigues
Contreras (double back)
Renee Barslag 2002
Bernabe (loud)
Melchor Rodriguez 2000
Michael Thames 2000
Blackshear 97 (fine guitar)
Benn (?)
Kohno 2001 spruce
Sakurai 2000 spruce
Ramirez cedar
Lowden 2002 spruce
Antonio Naya Pardo spruce
Smallman 77 cedar, pre-lattice
Manuel de la Chica 60 flamenco spruce, repaired (loved it!)
Bernabe 2000 spruce
Fontanilla 2002 spruce
Sakurai 2000 spruce
Raghianti 2002 cedar
Alejandro 85 spruce
Bernabe spruce
Rubio 1971
Serge de Jonge 1997
Humphrey 2001
Rodrigo Manero spruce
Rodrio Manero spruce
Kohno cedar (20 year old)
Rosas 2000
Buischer 2001 cedar
Ruck 1971 cedear
Knipe Cedar
Sanfeliu 1920's, tornavoz (great)
Velasquez
Montero
Abreu
Abreu
Contreras 1989 cedar
Dieter Hopf (loud!)
Blackshear 1995
Brunei
Bogdanovich
Thames 1992
Mazanero 1967
Tom Humphrey's shop
one 1998, one 2001 model, six 2002 models
--------------------
One thing that became apparent immediately: guitars sound differently
with different players. Obvious, for sure, but it was really weird-
some guitars that I hated when I played them sounded completely
different when my friend played them. And vice-versa.
We ended up choosing 2 Humphreys, a 2001 model, and a 2002. Before
comparing a lot of guitars, I never thought I'd want a Humphrey, just
because so many people play them, especially around here in Austin,
and that is enough reason for me not to do it. Also, I have played a
few of them (Andrew Zohn's, Sharon Isbin's, and others) some of which
were great, some were OK, but not good enough for me to go against my
basic nature: I am more of a "lone wolf", not a herd animal, so I am
uncomfortable with trendiness.
Honestly, many of the above guitars were great, and I could have been
happy with any of a dozen of the above. The new Bernabes and concert
model Contrerases were consistently excellent. But, I was looking for
a magical guitar, and the guitar I chose was extraordinary, and the
best for me.
When I played the very first note on the guitar I chose, the two
people sitting on my left and right sides, (my friend, and Martha
Humphrey {Tom's wife}) both simultaneously turned their heads suddenly
out of surprise- the guitar was really powerful, beautiful, and
astonishingly loud.
It's funny, but before the trip, my mother in law told me that when I
found my guitar, not only would I know it, but probably everyone else
in the room would know it. She was exactly right.
Later, after I had made my decision, I found out that the one I chose
had belonged to Sergio Assad, who had toured and recorded with it, and
also that the back & sides had been made out of 50+ year aged
Brazilian rosewood, and also that Tom had originally made it for
himself with no intention of selling it. Every 10 years, he makes a
guitar for himself to keep, and that's what this one was intended to
be.
Before I went on the trip, I solicited a lot of people's advice on
what they look for in a guitar, and that was helpful. No matter what
your experience level, it is always good to seek out more information.
The best advice was to bring your own guitar along so that you have
something to compare with, which we did. I think it is also good to
have a buddy with you. It's good to have some support with someone you
trust when making such a momentous decision.
Tony Morris
Great post--thanks!

Steve
GuitarsWeB
2004-07-11 13:13:20 UTC
Permalink
I didn't see any Oribes on Tony's lists. I think that point was made earler,
few used Oribes for sale out there, a few Pro-A models.
Paul McGuffin
ITMX925
2004-07-11 17:05:22 UTC
Permalink
Dear Tony,

Your method is THE method for comparing guitars. Few have the luxury. You are
lucky in that you played more fine instruments in a brief span of time than
some players will ever play in their life.

Best regards,

'JohnDowland'
Edward Bridge
2004-07-11 17:26:42 UTC
Permalink
Post by ITMX925
Dear Tony,
Your method is THE method for comparing guitars. Few have the luxury. You are
lucky in that you played more fine instruments in a brief span of time than
some players will ever play in their life.
Best regards,
I thought he made one miskate which was Tom only has Tom's guitars so how
could Tony a/b others guitars in the same room ?

You never answer my question from before which was "Thomas Humphrey ,as
you know , made a sweetheart Hauser type guitar
one time in his life,would you call that guitar overrated ?"

I don't think Tom or Jose are overrated, but you may not care to know why I
say that.


Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
ITMX925
2004-07-14 06:08:26 UTC
Permalink
Post by Edward Bridge
so how
could Tony a/b others guitars in the same room ?
Unless I read the post incorrectly, I thought he was comparing various Humphrey
guitars at the same time.

I never played the Hauser style guitar built by Humphrey therefor I am unable
to speak to that subject.

I believe it is a good thing to have an opinion different than mine, however
the question was not posed to have individuals debate my opinion, but rather
to express their opinion.

"...you may not care..."

By all means express your views. I would defend to my death the right of free
speech. I do not have to agree with any individual opinion, but we need to hear
them with respect.

Regards,

'JohnDowland'
Edward Bridge
2004-07-17 02:21:47 UTC
Permalink
Post by ITMX925
I never played the Hauser style guitar built by Humphrey therefor I am unable
to speak to that subject.
If you have a chance .really it worth the look. I should have held on to the
one I had, I was foolish. I think but could be wrong that S. Abrue learn
from Tom Humphrey at least a littel about making the Hauser style . I do
get thing turn around in my head a bit as we know.

Anyway here's who I think are the two overrated luthiers Mr.Ruck and
Mr.Elliot both great makers and wonderful people (that's important in my
book) and God bless them for what they have done. I talk to people who know
really very little about guitars ( less then me) and those guitars are their
goals and dreams . They _have _to have it . When I play these guitars ( I've
played a lot more Rucks) I think they're wonderful but I think so are about
20 others makers in the states that are just as fine but are having trouble
at times getting dinner serve.

Good night
Ed
Tony Morris
2004-07-15 23:13:18 UTC
Permalink
Post by Edward Bridge
I thought he made one miskate which was Tom only has Tom's guitars so how
could Tony a/b others guitars in the same room ?
Actually, I did- Beverly Maher had one Humphrey guitar at her place,
(one of those beautiful "Assad" models with the stripe on the back),
so I got to compare that Humphrey to all of her other guitars, and it
was our favorite guitar there, and one of the best guitars that we
played on the trip.

A friend of mine in Austin later bought that guitar, but later sent it
back- he wanted a more traditional Spanish cedar sound, like a 60s
Ramirez. I didn't tell him this, but I thought he was nuts at the
time. But later, it made sense- he was big Parkening fan, loved the
cedar Ramirez sound, so that was completely the wrong guitar for him.

Later I realized guitars are like cars- Humphreys are like Ferraris or
McLarens, and the classic Spanish school guitars are like Rolls
Royces- I love 'em all for what they are.

One guitar dealer actually told me, "I don't really like to stock
Humphreys because then none of the other guitars get looked at".

Tony
Edward Bridge
2004-07-17 01:49:15 UTC
Permalink
Post by Tony Morris
Post by Edward Bridge
I thought he made one miskate which was Tom only has Tom's guitars so how
could Tony a/b others guitars in the same room ?
Actually, I did- Beverly Maher had one Humphrey guitar at her place,
(one of those beautiful "Assad" models with the stripe on the back),
so I got to compare that Humphrey to all of her other guitars, and it
was our favorite guitar there, and one of the best guitars that we
played on the trip.
Good to hear,There is a reason why so many players use them and it's _not_
the low price :>)
Post by Tony Morris
A friend of mine in Austin later bought that guitar, but later sent it
back- he wanted a more traditional Spanish cedar sound, like a 60s
Ramirez. I didn't tell him this, but I thought he was nuts at the
time. But later, it made sense- he was big Parkening fan, loved the
cedar Ramirez sound, so that was completely the wrong guitar for him.
Tell your freind when he's looking for a second one .I have one that plays
very very easy

Good night
Peace,
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Edward Bridge
2004-07-12 03:15:57 UTC
Permalink
Post by Tony Morris
We ended up choosing 2 Humphreys, a 2001 model, and a 2002.
Hey Tony

This weekend was fun, Before I passout I wanted to congratulate you and
Charlie on choosing a NEW YORK CITY LUTHIER (who move to the New York sticks
a few years ago ) I'm glad you did'nt go for any of that west coast stuff .
he he . or even worst: guitars from Spain , God they're B-A-D. ha ha . .
, Hey, Who love 's baby ? . . Good night Bro
Ed "Crooklyn" Bridge
T***@hotmail.com
2004-07-11 02:40:27 UTC
Permalink
Post by Edward Bridge
Now Tony .. it's time to up clean and tell everyone about the guitar
you had
Post by Edward Bridge
with you.
Now what happen to the finish on that poor, poor sweet guitar ,holy
cow!
Post by Edward Bridge
I saw a Mario Ulloa (try to get him on your show if you haven't ,
good
Post by Edward Bridge
stuff) last night at the Mannes guitar show and close the whole
concert
Post by Edward Bridge
series playing his heart out on a beat up Humphrey, not like yours,
but beat
Post by Edward Bridge
up.
I'm glad to say every one of those guitars you've played sold
including the
Post by Edward Bridge
Contreras that just sold this week. Some models I always get new ones
after
Post by Edward Bridge
they sell like the Bogdanovich's and Abreu's.
Hey Ed,

What can I say, Willie Nelson and I shopped at the same guitar store. ;
)

Actually, the guitar I had with me was guitar by a new guitar builder.
The guitar was an early prototype, and he made a mistake with the
finish, so I don't want to give his name. But the huge, chewed-up place
on the top was completely my fault, typical of what happens when a
classical player finally learns how to rasqueado- a lot of missed
strings, and a lot of fingernails on the top, all the way through the
finish and half way through the wood on the top. I now use a thin piece
of clear plastic, held by static electricity.

I'm not surprised all your guitars sold- they were all very good, not a
dog in the bunch. And good prices, too. I wish I had known about your
shop years ago in my struggling music student days.

I hadn't heard of Mario, but I hope to hear his work. I almost made it
to Mannes this year-, but I have been quietly building my
infrastructure with my new nonprofit which funds all my work. Business
plans, Grant writing, and hiring grant writers, board meetings,
budgets, website stuff, etc. It doesn't sound very artistic or
interesting, but it makes revolutionary artistic stuff possible later.


Cheers!

Tony Morris, Executive Director
Friends of Classical Guitar Alive
Edward Bridge
2004-07-11 03:14:28 UTC
Permalink
Post by T***@hotmail.com
I hadn't heard of Mario, but I hope to hear his work. I almost made it
to Mannes this year-, but I have been quietly building my
infrastructure with my new nonprofit which funds all my work. Business
plans, Grant writing, and hiring grant writers, board meetings,
budgets, website stuff, etc. It doesn't sound very artistic or
interesting, but it makes revolutionary artistic stuff possible later.
I saw you still place a nice ad in the program. All of the concerts I went
to were 90 % filled. So you made a good move in what you help support.There
was a lot of revolutionary artistic stuff last night. I heard so much new
music.I hope someones can at RMCG can write about the week there at Mannes
and the new music that took place.We all know I _ain't_ the one for that job
:>)

OT: Hats off to Mr. Newman and Ms. Oltman and their crew at Mannes


Peace and Good night
Ed Bridge
Brooklyn N.Y.
www.bridgeclassicalguitars.com
Tony Morris
2004-07-11 20:53:52 UTC
Permalink
Post by Edward Bridge
OT: Hats off to Mr. Newman and Ms. Oltman and their crew at Mannes
Indeed!

I've still not met Michael and Laura in person yet, just many, many
emails over the years, but I am impressed with both their playing, and
the very positive attitude with which they conduct their work. - Just
like another great husband & wife guitar duo in NY state, Michael
Andriaccio and Joanne Castellani.

TM
Greg M Silverman
2004-07-11 16:01:40 UTC
Permalink
Post by ITMX925
Post by Edward Bridge
Now Tony .. it's time to up clean and tell everyone about the guitar
you had
Post by Edward Bridge
with you.
Now what happen to the finish on that poor, poor sweet guitar ,holy
cow!
Post by Edward Bridge
I saw a Mario Ulloa (try to get him on your show if you haven't ,
good
Post by Edward Bridge
stuff) last night at the Mannes guitar show and close the whole
concert
Post by Edward Bridge
series playing his heart out on a beat up Humphrey, not like yours,
but beat
Post by Edward Bridge
up.
I'm glad to say every one of those guitars you've played sold
including the
Post by Edward Bridge
Contreras that just sold this week. Some models I always get new ones
after
Post by Edward Bridge
they sell like the Bogdanovich's and Abreu's.
Hey Ed,
What can I say, Willie Nelson and I shopped at the same guitar store. ;
)
Actually, the guitar I had with me was guitar by a new guitar builder.
The guitar was an early prototype, and he made a mistake with the
finish, so I don't want to give his name. But the huge, chewed-up place
on the top was completely my fault, typical of what happens when a
classical player finally learns how to rasqueado- a lot of missed
strings, and a lot of fingernails on the top, all the way through the
finish and half way through the wood on the top. I now use a thin piece
of clear plastic, held by static electricity.
Tony,
You savage beast! I suppose you were tapping too without a plate! ;-)

Actually wondering where you get this "thin piece of clear plastic, held
by static elctricity?"

I'm in the same boat as you, although my marks on the top are only off of
the finish, not the wood. :-)

TIA!

gms--
Tony Morris
2004-07-12 20:21:30 UTC
Permalink
Post by Greg M Silverman
Tony,
You savage beast! I suppose you were tapping too without a plate! ;-)
Actually wondering where you get this "thin piece of clear plastic, held
by static elctricity?"
I'm in the same boat as you, although my marks on the top are only off of
the finish, not the wood. :-)
I got about a square yard of the stuff at San Antonio plastic supply.
It is the same stuff that is in the "Kling-ons" packages, except a lot
cheaper:

Plastic Supply of San Antonio Inc
102 W Josephine St
San Antonio, TX 78212
(210) 222-8091

Good luck,

Tony
JPD
2004-07-15 19:00:54 UTC
Permalink
Post by Greg M Silverman
Actually wondering where you get this "thin piece of clear plastic, held
by static elctricity?"
You want to be careful about using certain "plastic" materials for
that purpose. I helped Jeff Elliott do some research on materials
suitable for "klingon" tap-plates, and we learned that the most
commonly available materials will harm the finish over time.

JPD
Tony Morris
2004-07-15 22:48:33 UTC
Permalink
Post by JPD
Post by Greg M Silverman
Actually wondering where you get this "thin piece of clear plastic, held
by static elctricity?"
You want to be careful about using certain "plastic" materials for
that purpose. I helped Jeff Elliott do some research on materials
suitable for "klingon" tap-plates, and we learned that the most
commonly available materials will harm the finish over time.
JPD
Absolutely. Any petroleum-based product will react with the finish if
it is left on indefinitely. But, if it comes off when not playing, it
should be fine.

Also, since it is lightly held by static electricity, it is not making
a tight, strong adhered-to contact, like plastic suction cups do. So
far, I've had no problems, and I've been using it for 2 years now.

I also put a polishing cloth between me and the guitar, either where
the right arm lays over the bout of the guitar, and/or another one
between my chest and the guitar. Salt in sweat will react with the
finish also, so just a few little careful precautions can go a long
way in preserving the finish to a guitar.

Tony
JPD
2004-07-15 19:07:12 UTC
Permalink
If I knew the name of an overrated luthier, I wouldn't mention it --
but Jose Oribe?! You leave me guessing by what standard you consider a
luthier overrated.

JPD

"If everybody likes it, it can't be any good." -- Anonymous guitarist
Continue reading on narkive:
Loading...